After the lathe – FineWoodworking


As a wooden turner, I cherish the method of reworking uncooked timber into beautiful bowls on the lathe. Nonetheless, the turning course of is merely the start of my inventive journey. Past the lathe lies a realm of limitless potentialities for enhancing picket masterpieces with texture, coloration, and complex design parts.

A padouk bowl with a rounded edge at the top and divots carved into the sides of the bowl. The rim of the bowl is left natural and the rest of the bowl is dyed black.

Texture is a tactile language that speaks to the soul of woodworking. Past the graceful end achieved on the lathe, I launched texture and design by energy carving. Padauk wooden, identified for its hanging vibrant coloration, is historically used for carvings. It was the right choice for making use of modern-day strategies. With a rotary software and a sphere burr, I rigorously carved superficial divots on this bowl, leaving a rounded end on the higher quarter of the bowl.

Char turns a padauk blank on a lathe. Char uses a rotary tool to carve divots in a padauk bowl.

Coloration is a robust software for evoking emotion and enhancing aesthetic impression. Whereas many wooden species boast pure magnificence of their grain and coloration variations, staining, dyeing, or portray can be utilized to additional improve or alter these traits. Dyes provide a extra vibrant and translucent choice, permitting the wooden’s pure magnificence to shine by whereas introducing daring hues and gradients. Experimenting with completely different strategies and coloration mixtures permits wooden turners to create items that resonate with their inventive imaginative and prescient and private fashion. There’s something concerning the becoming a member of of the crimson hues and black that pair so properly right here. I brushed in a polymer-based paste particularly for substrates to deliver out the power-carved results.

Char applies a black paste dye to the bowl with a toothbrush. Char brushes a black dye onto the padauk bowl to highlight the carved divots.

Design is the end result of expertise and creativity, shaping the visible and purposeful features of a turned bowl or platter. Earlier than eradicating my tarara (often known as canary wooden) platter I created a small channel so as to add distinction and visible curiosity in opposition to the yellow-hued Brazilian species. With the introduction of a two-part epoxy and pigmented micas, this platter was reworked right into a brilliant, joyous rainbow.

Char pours epoxy mixed with colored mica powder into a channel on the top of a bowl. Char uses a rotary tool to add texture to a bowl attached to the lathe.

In conclusion, the chances for enhancing turned bowls after the lathe are restricted solely by the creativeness and creativity of the woodworker. By exploring texture, coloration, and design, we will rework easy bowls into extraordinary artworks that delight the senses and encourage admiration, like this walnut bowl through which I added a complementary inlay. Whether or not by carving, staining, or revolutionary design, allow us to embrace the chance to raise our woodworking craft and create items that go away a long-lasting impression.A bowl with a channel on top that has a rainbow of epoxy filled in.

Add coloration and texture to a turned bowl

Mark Gardner demonstrates the steps concerned in making one in all his colourful bowls, from reducing a log to the preliminary tough turning and drying, to the ultimate ending touches with milk paint and gouge work for the texturing.

Video: A textured and carved reducing board

Mark Gardner provides an aesthetic and tactile contact to the perimeters by pulling the board throughout the bandsaw blade on a diagonal. On this video, he exhibits precisely the way it’s performed.

Use a Scrub Aircraft to Create a Textured End

Scrub planes can do extra than simply tough work.

 

 

 

 




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